Showing posts with label Korn. Show all posts
Showing posts with label Korn. Show all posts

Wednesday, January 18, 2012

SLAPSHOCK reloads 15 year-old career in “KINSE KALIBRE”, Featuring the first single “Ngayon Na”




When SLAPSHOCK first hit the scene with “Fourth Degree Burn” 15 years ago, many automatically tossed the band aside as a part of the growing "rap metal" movement. When they emerged in 1997, we knew what to expect from them. They were a junior rap-metal band to sell thousands of albums and more likely being compared as KORN of Philippine rock scene. More than a decade on, Slapshock has effectively brought a world into the moshpit -- done it with poetry, pounding drum and bass, and a whole lot of power.

Having just released their seventh studio album under Polyeast Records, KINSE KALIBRE documents the band’s 15-year old career.  Featuring “Ngayon Na”, the album’s first single referencing some stylistic Slapshock trademarks --stomping through "Ngayon na, isigaw sa mundo… Ngayon na" gives a fiery shout-along hook while introducing some fresh dynamic sensibilities. The single’s music video is directed by Team Manila and now being aired on MYX Channel, which is running it’s number 1 seat in one month.

At this point, Slapshock's seventh studio album finds the rap-rock luminaries recording with the original line-up in over 15 years. The band includes Jamir Garcia (vocals), Lee Nadela (bass), Lean Ansing (guitars) and Chi Evora (drums). This full-length album consists of 12 tracks --produced by the band, all songs originally written by Jamir Garcia, mixed in Malaysia and was mastered at John Greenham Mastering in San Francisco, USA. Aside from working with notable artists outside the country, Slapshock also worked with Xander Angeles (photographer) and Team Manila for the album artwork who have also done many projects with the band.

With Kinse Kalibre, the band has once again found a place for reinvention, created a multi-layered and genre-smashing album set to cater more to our local market.  Jamir said, “In this album, we we’re challenged to produce something that will cater more to our Filipino listeners. This time, I have challenged myself to write five Tagalog songs”. Tracks include Kinse Kalibre (intro) Ngayon Na, Reset, Deliryo, Asal Demonyo, Burn In Hell, In The Line Of Fire, Langit, Under The Needle, Heartless, Salamin and All Hope Is Gone.

Taking seven albums to put together in 15 years and continuously building a huge fanbase against this pop-generation, Slapshock’s feat over those years was a tough ride for these four hardworking individuals. Jamir expanded, “We have released seven albums and each release gives us the pressure of coming up of something NOT better than the other but the best the band can deliver.” Following the 6th album Carino Brutal’s commercial success, the band took another three years touring in and outside the country and was able to produce “Kinse Kalibre” that will mark their 15th year this coming February 2012. 

Jamir also explains, “Kinse Kalibre represents our 15 years of existence as band. Kalibre means that after 15 years, the band is still here—creating what we’re known for”. However, the band indeed created a long-lasting impact-- maturing with every album but never attempted changing their sound and exploring new territory have become their least priority. How did they make it?

When the band signed their first record deal in 1998 with OctoArts (now Polyeast Records), there was no denying they were original—original sound, original brand of songwriting, original heavy rock songs being replayed for years. Jamir added, “This album sets an example of a phenomenon… because for 15 years, we have come a long way building relationships. We are the same members, we never switched music labels, we’re under the same management and we still work with the same crew. People who supported us from the very beginning are still the same people around us up to this moment. That probably made us stay stronger—we work with people we trust and people who trust the band at the same time”

Around this time, Slapshock performed at a number of high profile events, big-time endorsements, bagged numerous awards and sold thousands of albums in and out of the country. The band have proved strongly that loud modern heavy rock music could be good, and have established Slapshock as one of the most important and biggest bands of the last two decades. As Jamir ended, “Lahat ng banda dumating, andito na kami. Umalis na sila, andito pa rin kami...”

KINSE KALIBRE is now out in stores nationwide at Php 350. Special thanks to RED HORSE and DICKIES.



Saturday, November 12, 2011

Hooray for BANDS Magazine 5th Anniversary Issue


GIMME FIVE
At a time when music and rock ‘n’ roll coverage needs it the most, BANDS has once again raised the bar. Running through the heart of our latest issue—featuring an exclusive interview with cover artist SLAPSHOCK—is the central theme of creation. Slapshock has truly hit upon the recipe for success. And with a new album "Kinse Kalibre" now available, the band is not content to rest on its laurels yet…


BANDS’ editor Jayson E. Paor looks back as BANDS Magazine celebrates its 5th Anniversary issue.

“When BANDS first rolled off the press five years ago, I had no idea what was in store. All I knew was BANDS was born with nothing more than faith and love on the scene, that the new generation was hungry looking for new, great bands, and that we saw the need for a magazine that would explore the passions and insights of the exciting world of the band scene. Nothing more, nothing less.

Sure, five years of BANDS existence may not have built many pyramids, or carved a very big swath of the Grand Canyon, but when you know you’re part of the exhilarating times for rock ‘n’ roll and in a way you are chronicling the scene, that already in itself, is success.

Isn’t it amazing that BANDS is so important, and so necessary, and has successfully established its mark in the local music biz today?

BANDS has become the ‘Philippines’ best music guide to bands’ with its responsible and fresh features, most requested songs, compelling and unbiased lists and exclusive cover interviews, and profiles of today’s top and new and upcoming music stars. Props to BANDS’ ‘Keep looking, don’t settle’ philosophy. Plus, all’s fair in love and war. Possibly.

Where other magazines are disappearing, we’re thriving. Good music will prevail.

In honor of our 5th Anniversary issue, we thank you all for hanging with us during the good and even the bad times. Most of all, thank you for letting us do what we so enjoy doing.

At BANDS, we promise we are not going anywhere; instead we will continue to grow and get better each and every issue. So where do we go from here after this? Well, much like the day the first issue of BANDS rolled off the press, I think I know, but I couldn't be so sure. But one thing is certain. The best is, without a doubt, yet to come.”



COVER
SLAPSHOCK: BACK IN BUSINESS
Photographed by Darrel Pobre. Styling by Ian Cartalaba and Moki Ramos. Grooming by Katchie Mejias.
Jackets, shirts and pants by Dickies.


TOP BILLIN’



THE 2011 BANDS COOL LIST
Anyone for seconds? In honor of our 5th Anniversary issue, we present 10 musicians/artists who made music rock feat. Basti Artadi, Chito Miranda, Rico Blanco, Yael Yuzon, Marc Abaya, Gabby Alipe, Miggy Chavez, Jay Contreras, Gloc-9 and Nicole Asensio.

GIMME FIVE: Hooray for BANDS 5th Anniversary Issue. 

DEAR IDOL: Fans ask. Champ Lui Pio and Somedaydream answer. 

THE CLASSIFICATION OF GOOD AND BAD MUSIC: Your favorite musicians and artists speak out. 

KALIGTA: NO PRETENSE

MIKE CHAN: FLAME BURNS BRIGHTER


THE BANDS SPOT: All Time Low touchdown in Manila. 

THE UNMASKING OF LIGHT OF LUNA

REGULARS
ED’S LETTER
FEEDBACK
BANDS RECOMMENDED PICKS
OPM HOT ON THE CHARTS
FOREIGN HOT ON THE CHARTS
SUDOKU
IN THE STARS
BAND LOVE

BANDS 5th Anniversary Issue is now available at all leading magazine newsstands and bookstores nationwide. P28 only. Show some lovin’! 



Entire contents copyright 2011. All rights reserved. Reproduction or use of editorial or advertising contents without written permission of editorial or pictorial matters is strictly prohibited.